Tuesday, September 8, 2009

House Show - Mike Tamburo & Sagas

Sept. 19, 2009
8 North Valley Rd., Pelham MA (just outside of Amherst)
$5 suggested donation

Mike Tamburo is a 21st century Renaissance man who has forged his way into the consciousness of the American underground music community. For the past 13 years, Tamburo has been relentlessly releasing records (31 releases and counting) under different monikers and projects including Meisha, Arco Flute Foundation & various imprints under his own name. He has performed over 500 shows all over the United States, traveling to every nook and cranny, searching for some kind of an understanding of what America truly is. Though always considering himself a multi-instrumentalist, he gained fame and notoriety with his fingerstyle guitar playing and his idiosyncratic use of effects; only to swear himself off of the acoustic guitar, eventually setting it on fire and hurling it off of Pittsburgh's 40th Street Bridge. His effects soon followed. Tamburo is a man who continues to reinvent himself, recently finding his new musical passion in the hammered dulcimer; building upon his own unique compositional stylings, he has developed a voice for the instrument that is very much his own. He is greatly inspired by American folk and minimalist music traditions as well as Indian classical music, but often expands outward to include influences from avant-garde to noise to modern compositional music. A Tamburo performance is always a very transportive experience. Tamburo is also an artist, film maker, writer, instrument builder, curator of the Fantastic Voyagers Festivals, Kundalini Yoga and Pranayama devotee, and inner state researcher; exploring alpha and theta states, floatation tanks, ethnobotany, orgone energy, and ecstatic states of being. He also runs the New American Folk Hero label, which continues to release an eclectic roster of creative and experimental musics.

Sagas, Matt Mcdowell's (Arco Flute Foundation, Dire Wolves, Waterfinder) solo project, will also perform a set.

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